Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Johann Georg Ziesenis
Enkedronning Juliane Marie

ID: 77517

Johann Georg Ziesenis Enkedronning Juliane Marie
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Johann Georg Ziesenis Enkedronning Juliane Marie


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Johann Georg Ziesenis

(b Copenhagen, 1716; d Hannover, 4 March 1776). German painter of Danish birth. He trained with his father, Johann Georg Ziesenis (1681-1748); he became a German citizen in 1743 and subsequently was appointed court painter to Herzog Christian von Pfalz-Zweibrecken in Zweibrecken and, later, Mannheim. In the early 1750s he overcame his technical shortcomings by studying Flemish art, particularly the work of Rubens and van Dyck. He also introduced a new genre, the private court portrait. His portrait of Karl Philipp Theodor, Kurferst von der Pfalz (1757; Munich, Alte Pin.) is original in its intimate view of a nobleman posed at leisure in casual dress, seated in his private study.  Related Paintings of Johann Georg Ziesenis :. | Portrait of Friedrich Ferdinand von Sachsen-Weimar-Eisenach | Portrait of Princess Frederika Sophia Wilhelmina | Enkedronning Juliane Marie | Portrait of Augusta Hanover | State Portrait of Prince William V of Orange |
Related Artists:
BUTINONE, Bernardino Jacopi
Italian Early Renaissance Painter, 1450-1507
Christoph Nathe
German, 1753-1806
Gian Lorenzo Bernini
Italian sculptor , b. 1598, Napoli, d. 1680, Roma ,Italian architect and artist credited with creating the Baroque style of sculpture. He began his career working for his father, a sculptor. Among his early sculptures are Apollo and Daphne (1622 -C 24) and an active David (1623 -C 24). Under the patronage of Urban VIII, the first of eight popes he was to serve, he created the baldachin over the tomb of St. Peter in Rome. Bernini's architectural duties increased after 1629, when he was appointed architect of St. Peter's Basilica and the Palazzo Barberini. His works often represent a fusion of architecture and sculpture, as in the Cornaro Chapel, in Santa Maria della Vittoria, Rome, with its celebrated theatrical sculpture, The Ecstasy of St. Teresa (1645 C 52). His greatest architectural achievement is the colonnade enclosing the piazza before St. Peter's.






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